Specimen

126 open-licence fonts, each with a checked source.

  1. A low-vision sans that exaggerates character shapes so similar letters stay distinct at small sizes.

    Braille Institute

    Licence: OFL-1.1

    Editor's pick

    Atkinson Hyperlegible

    Repository

  2. A configurable coding font: you pick ligatures, weight and letter shapes, then download a cut.

    Eigil Nikolajsen

    Licence: OFL-1.1

    Editor's pick

    New

    Commit Mono

    Repository

  3. A Fira Mono fork famous for programming ligatures, still useful as a plain mono if you turn them off.

    Nikita Prokopov

    Licence: OFL-1.1

    Variable

    Editor's pick

    Fira Code

  4. A soft old-style display and text face with softness and wonk axes, by Undercase Type.

    Undercase Type

    Licence: OFL-1.1

    Variable

    Editor's pick

    Fraunces

  5. The sans cut of IBM's corporate family, designed with Bold Monday. Neutral, with a hint of Gothic mid-century texture.

    IBM

    Licence: OFL-1.1

    Variable

    Editor's pick

    IBM Plex Sans

    Repository

  6. Intel's open coding face, designed for long sessions, with exaggerated punctuation and a large x-height.

    Intel

    Licence: OFL-1.1

    Variable

    Editor's pick

    New

    Intel One Mono

  7. A screen sans with a tall x-height, drawn for interface text. Variable, with a matching tight cut.

    Rasmus Andersson

    Licence: OFL-1.1

    Variable

    Editor's pick

    Inter

    Repository

  8. A coding typeface with tall lowercase letters, ligatures you can turn off, and a clear italic.

    JetBrains

    Licence: OFL-1.1

    Variable

    Editor's pick

    JetBrains Mono

    Repository

  9. Commissioned for Google Play Books, a typographic text face with optical sizes for long-form reading.

    TypeTogether

    Licence: OFL-1.1

    Variable

    Editor's pick

    Literata

  10. A sharp news face from Production Type, with optical sizes for body, deck and headline.

    Production Type

    Licence: OFL-1.1

    Variable

    Editor's pick

    Newsreader

    Repository

  11. A fork of Libre Franklin made for U.S. government sites. Neutral, metrically steady, and maintained in the open.

    U.S. Web Design System

    Licence: OFL-1.1

    Variable

    Editor's pick

    Public Sans

    Repository

  12. A variable family that moves from a linear sans to a casual mono, designed by Stephen Nixon at Arrow Type.

    Arrow Type

    Licence: OFL-1.1

    Variable

    Editor's pick

    Recursive

    Repository

  13. Adobe's first open-source family, a Gothic sans cut for UI and long text, now in its third generation.

    Adobe

    Licence: OFL-1.1

    Variable

    Editor's pick

    Source Sans 3

  14. Adobe's open text serif, designed by Frank Grießhammer, with an optical-size axis from caption to display.

    Adobe

    Licence: OFL-1.1

    Variable

    Editor's pick

    Source Serif 4

  15. A scientific text face based on Times, maintained for publishing, with a large set of symbols in the wider STIX project.

    STI Pub

    Licence: OFL-1.1

    Variable

    Editor's pick

    STIX Two Text

    Repository

  16. The foundry that helped make open-source type ordinary. League Spartan, Junction, Fanwood, Chunk and more, all OFL.

    The League of Moveable Type

    Editor's pick

    The League of Moveable Type

    Repository

  17. A Paris foundry that releases experimental and historical open fonts, usually under the OFL or a similar licence.

    Velvetyne

    Editor's pick

    Velvetyne Type Foundry

    Repository

  18. Adobe's open-source type programme: Source Sans, Source Serif, Source Code Pro and related CJK families, all OFL.

    Adobe

    Adobe Fonts (Source)

  19. A geometric grotesk with a large x-height, comfortable in UI and short marketing lines.

    Andreas Rasmussen

    Licence: OFL-1.1

    Variable

    Albert Sans

  20. A calligraphic text face from Huerta Tipográfica, with a sans companion and strong Latin and Cyrillic.

    Huerta Tipográfica

    Licence: OFL-1.1

    Variable

    Alegreya

    Repository

  21. An organic text serif originally for typographic education in Argentina, later extended as Andada Pro.

    Huerta Tipográfica

    Licence: OFL-1.1

    Variable

    Andada Pro

    Repository

  22. A fixed-width family by Mark Simonson, based on Anonymous, with clear punctuation for code.

    Mark Simonson

    Licence: OFL-1.1

    Anonymous Pro

    Repository

  23. A variable sans with a very wide width axis, from hairline condensed to extended display.

    Etcetera Type Co

    Licence: OFL-1.1

    Variable

    Anybody

  24. A grotesque with a width axis, drawn in Buenos Aires, with Black and Narrow cuts in the same family.

    Omnibus Type

    Licence: OFL-1.1

    Variable

    Archivo

    Repository

  25. Stephen Nixon's studio. Recursive and Shantell Sans are open; other retail families sit alongside the OFL work.

    Arrow Type

    Arrow Type

    Repository

  26. The variable successor to Atkinson Hyperlegible, with a wider weight range on the same legibility model.

    Braille Institute

    Licence: OFL-1.1

    Variable

    New

    Atkinson Hyperlegible Next

    Repository

  27. A sharp, slightly medieval display face from Velvetyne, for titles rather than running text.

    Velvetyne

    Licence: OFL-1.1

    Avara

    Repository

  28. A slightly quirky monospaced Grotesque by Displaay, with a full variable weight range.

    Displaay

    Licence: OFL-1.1

    Variable

    Azeret Mono

  29. A formal pointed-pen script from Omnibus Type, with an optical-size axis from small to display.

    Omnibus Type

    Licence: OFL-1.1

    Variable

    Ballet

  30. A Vietnamese-first grotesk that also covers Latin well, with a broad set of weights and italics.

    Better Consultancy

    Licence: OFL-1.1

    Be Vietnam Pro

  31. A condensed all-caps display Gothic, later opened by Dharma Type, for posters and titles.

    Dharma Type

    Licence: OFL-1.1

    Bebas Neue

  32. A revival of Robert Besley's Clarendon, variable, by Owen Earl at Indestructible Type.

    Indestructible Type

    Licence: OFL-1.1

    Variable

    Besley

    Repository

  33. A condensed American Gothic drawn for the City of Chicago, with display and text optical cuts.

    Patric King / Occupant

    Licence: OFL-1.1

    Variable

    Big Shoulders Display

  34. A slightly narrow slab made for screens, with a real italic, from Huerta Tipográfica.

    Huerta Tipográfica

    Licence: OFL-1.1

    Variable

    Bitter

    Repository

  35. A variable Bodoni with optical size, drawn by Owen Earl, from text to high-contrast display.

    Indestructible Type

    Licence: OFL-1.1

    Variable

    Bodoni Moda

  36. A slightly quirky Grotesque with a width axis, comfortable in titles and short UI labels.

    Mathieu Triay

    Licence: OFL-1.1

    Variable

    New

    Bricolage Grotesque

  37. A vertical and chromatic signage face by David Jonathan Ross, commissioned with Cooper Hewitt, OFL.

    David Jonathan Ross

    Licence: OFL-1.1

    Bungee

    Repository

  38. A classicist's serif with deep coverage of ancient and medieval characters, by David J. Perry.

    David J. Perry

    Licence: OFL-1.1

    Cardo

  39. The monospaced face of Windows Terminal, with optional ligatures and a matching handwriting-like cursive axis.

    Microsoft

    Licence: OFL-1.1

    Variable

    Cascadia Code

  40. A casual handwriting face by Impallari Type, more even than most script fonts, useful for notes.

    Impallari Type

    Licence: OFL-1.1

    Variable

    Caveat

  41. A sturdy bitext serif from SIL, related to Charter, built for linguistic and literacy work.

    SIL International

    Licence: OFL-1.1

    Charis SIL

    Repository

  42. An ultra-heavy slab by Caroline Hadilaksono, for a single loud word on a poster.

    The League of Moveable Type

    Licence: OFL-1.1

    Chunk

    Repository

  43. An Italian open-source type collective. Families are free to download, with licences stated on each typeface page.

    Collletttivo

    Collletttivo

  44. A low-contrast variable sans with a flare axis, comfortable in both body and titles.

    Kostas Bartsokas

    Licence: OFL-1.1

    Variable

    Commissioner

  45. A display Garamond with several optical grades (Infant, Garamond, Unicase and more) in one project.

    Christian Thalmann

    Licence: OFL-1.1

    Variable

    Cormorant

  46. A soft, rounded slab from Omnibus Type, comfortable in short text and titles.

    Omnibus Type

    Licence: OFL-1.1

    Crete Round

  47. A contemporary old-style by Jacques Le Bailly, refined from Crimson Text, with a large weight range.

    Jacques Le Bailly

    Licence: OFL-1.1

    Variable

    Crimson Pro

  48. A lively informal script with a connected baseline, one of Impallari Type's early open releases.

    Impallari Type

    Licence: OFL-1.1

    Variable

    Dancing Script

  49. A low-contrast geometric sans commissioned from Colophon Foundry, with a serif and a mono in the same project.

    Colophon Foundry

    Licence: OFL-1.1

    Variable

    DM Sans

  50. A careful open Garamond, started by Georg Duffner and expanded by Octavio Pardo, for long text.

    Georg Duffner, Octavio Pardo

    Licence: OFL-1.1

    Variable

    EB Garamond

  51. A slightly squarish sans by Tyler Finck, with nine weights and italics, drawn for distinctive headings.

    Etcetera Type Co

    Licence: OFL-1.1

    Variable

    Epilogue

  52. A Scandinavian grotesque drawn for the Familjen agency, compact and a little sharp in the details.

    Familjen

    Licence: OFL-1.1

    Variable

    Familjen Grotesk

  53. A slightly loose, handwritten-feeling mono that stays readable in editors, by Jany Belluz.

    Jany Belluz

    Licence: OFL-1.1

    Fantasque Sans Mono

  54. A soft old-style based on Fairfield, released by the League for body text in print and on screen.

    The League of Moveable Type

    Licence: OFL-1.1

    Fanwood

    Repository

  55. A simple geometric sans aimed at product UI, with a clean italic and a full weight range.

    Erik Kennedy

    Licence: OFL-1.1

    Variable

    Figtree

  56. Mozilla's interface sans, designed by Carrois, with a wide weight range and a well-known monospaced companion.

    Mozilla

    Licence: OFL-1.1

    Fira Sans

  57. A package registry that self-hosts open fonts via npm, with licence metadata for each family.

    Fontsource

    Fontsource

    Repository

  58. A monospaced version of Helvetica, drawn by Wei Huang, useful when a UI mono has to match a grotesque.

    Wei Huang

    Licence: OFL-1.1

    Fragment Mono

  59. A rounded, slightly playful sans that still holds up in UI, with a width axis in the variable file.

    Milena Brandão

    Licence: OFL-1.1

    Variable

    Fredoka

  60. A soft, slightly squarish display sans with a wide weight range, released through Google Fonts.

    Dicotype

    Licence: OFL-1.1

    Variable

    Funnel Display

  61. Vercel's interface sans, drawn with Basement Studio. Tight spacing, a monospaced companion, and an OFL licence.

    Vercel

    Licence: OFL-1.1

    Variable

    New

    Geist

    Repository

  62. The monospaced companion to Geist, drawn for code and technical UI in the same tone as the sans.

    Vercel

    Licence: OFL-1.1

    Variable

    New

    Geist Mono

    Repository

  63. SIL's book-weight Gentium, a readable serif with deep Latin, Greek and Cyrillic coverage.

    SIL International

    Licence: OFL-1.1

    Gentium Book Plus

    Repository

  64. GitHub's open brand type: Mona Sans, Hubot Sans and the Monaspace coding family, all under the OFL.

    GitHub

    GitHub brand fonts

  65. A high-contrast display serif with sharp terminals, for short headlines rather than body text.

    Duarte Pinto

    Licence: OFL-1.1

    Gloock

  66. A contemporary Russian-designed sans for interfaces and text, with strong Cyrillic and Latin coverage.

    ParaType

    Licence: OFL-1.1

    Variable

    Golos Text

  67. The largest public library of open-licence fonts. A distribution channel, not a foundry, and a useful place to compare families.

    Google

    Google Fonts

    Repository

  68. The Polish TeX group's type programme: Latin Modern and the TeX Gyre families, with licences stated on each page.

    GUST e-foundry

    GUST e-foundry

  69. A bit-power fork of Bitstream Vera / DejaVu Sans Mono, tuned for source code on screens.

    Source Foundry

    Licence: MIT

    Hack

    Repository

  70. The companion to Mona Sans, a slightly squarer Grotesque also commissioned by GitHub from Degarism.

    GitHub

    Licence: OFL-1.1

    Variable

    New

    Hubot Sans

  71. An Argentine foundry behind Alegreya, Bitter, Andada and Piazzolla. Several families are available under the OFL.

    Huerta Tipográfica

    Huerta Tipográfica

    Repository

  72. IBM's corporate family, designed with Bold Monday, released under the OFL in sans, serif, mono and several scripts.

    IBM

    IBM Plex

    Repository

  73. The monospaced cut of IBM Plex, a clear coding face that shares the family's slightly Gothic tone.

    IBM

    Licence: OFL-1.1

    IBM Plex Mono

    Repository

  74. The serif cut of IBM Plex, a contemporary old-style with the same tone as the sans and mono.

    IBM

    Licence: OFL-1.1

    IBM Plex Serif

    Repository

  75. A humanist sans drawn for accessibility, with clear letterforms and a modest x-height for longer reading.

    Olivia King

    Licence: OFL-1.1

    Variable

    New

    Inclusive Sans

  76. An early humanist coding face by Raph Levien, still a clean choice for printouts and editors.

    Raph Levien

    Licence: OFL-1.1

    Variable

    Inconsolata

    Repository

  77. Owen Earl's foundry. Jost, Besley, Bodoni Moda and other revivals are released under the OFL.

    Indestructible Type

    Indestructible Type

    Repository

  78. Instrument's variable sans, a clean Grotesque with a typographic italic, released as open source.

    Instrument

    Licence: OFL-1.1

    Variable

    New

    Instrument Sans

  79. A sharp display serif from Instrument, designed to sit next to Instrument Sans, with a striking italic.

    Instrument

    Licence: OFL-1.1

    New

    Instrument Serif

  80. A slender, highly customisable open monospaced family, with many built-in stylistic sets for coding.

    Belleve Invis

    Licence: OFL-1.1

    Iosevka

    Repository

  81. An open revival of the Renner / Futura idea, drawn by Owen Earl, with a full weight axis.

    Indestructible Type

    Licence: OFL-1.1

    Variable

    Jost

    Repository

  82. A monospaced typeface made for the Julia language, with deep Unicode coverage for maths and symbols.

    cormullion

    Licence: OFL-1.1

    JuliaMono

    Repository

  83. A sturdy, slightly humanist sans by Caroline Hadilaksono, one of the League's early open families.

    The League of Moveable Type

    Licence: OFL-1.1

    Junction

    Repository

  84. A grotesque with slightly square curves, originally drawn for Latin and later expanded.

    Jonny Pinhorn

    Licence: OFL-1.1

    Variable

    Karla

  85. A family with classical proportions and a warm curve, designed by Łukasz Dziedzic in Warsaw.

    Łukasz Dziedzic

    Licence: OFL-1.1

    Lato

    Repository

  86. A revival of Alternate Gothic, condensed and loud, one of the League's first open releases.

    The League of Moveable Type

    Licence: OFL-1.1

    Variable

    League Gothic

    Repository

  87. The League's monospaced family, with a wide range of weights and widths for code and typographic samples.

    The League of Moveable Type

    Licence: OFL-1.1

    League Mono

    Repository

  88. A bold, geometric revival of ATF's Spartan, one of the League's early open releases.

    The League of Moveable Type

    Licence: OFL-1.1

    Variable

    League Spartan

    Repository

  89. A sans researched for reading speed and comfort, with several width grades in the family.

    Bonnie Shaver-Troup, Thomas Jockin

    Licence: OFL-1.1

    Variable

    Lexend

    Repository

  90. A fork of Linux Libertine that keeps the typographic character and adds sturdier metrics and maths.

    Philipp H. Poll, Khaled Hosny, Caleb Maclennan

    Licence: OFL-1.1

    Libertinus Serif

  91. A Baskerville cut for body sizes on screen, from Impallari Type, with regular, italic and bold.

    Impallari Type

    Licence: OFL-1.1

    Variable

    Libre Baskerville

  92. An open revival of Morris Fuller Benton's Franklin Gothic, started by Impallari Type.

    Impallari Type

    Licence: OFL-1.1

    Variable

    Libre Franklin

  93. A contemporary old-style with a calligraphic italic, drawn by Cyreal with strong Cyrillic coverage.

    Cyreal

    Licence: OFL-1.1

    Variable

    Lora

  94. A semi-condensed modern sans with low contrast, designed as a workhorse for headings and UI.

    Mikhail Sharanda

    Licence: OFL-1.1

    Variable

    Manrope

  95. A monospaced family from Evil Martians, with a width axis and a slightly technical tone.

    Evil Martians

    Licence: OFL-1.1

    Variable

    Martian Mono

  96. A sturdy text serif designed for screens, slightly condensed, with a matching sans.

    Sorkin Type

    Licence: OFL-1.1

    Variable

    Merriweather

    Repository

  97. GitHub's variable brand sans, designed by Degarism, with a width axis that runs from condensed to extended.

    GitHub

    Licence: OFL-1.1

    Variable

    New

    Mona Sans

  98. GitHub Next's family of related monospaced fonts (Neon, Argon, Xenon, Radon, Krypton) with texture healing.

    GitHub

    Licence: OFL-1.1

    New

    Monaspace

    Repository

  99. A grid-built display type based on a 1971 experiment by François Mourier, reissued at Velvetyne.

    Velvetyne

    Licence: OFL-1.1

    Mourier

    Repository

  100. Mozilla's open type work includes Fira Sans and Fira Mono, and Zilla Slab (designed with Typotheque).

    Mozilla

    Mozilla typography

  101. A minimalist sans that grew from Muli, with careful italics and a wide weight range.

    Vernon Adams, Jacques Le Bailly

    Licence: OFL-1.1

    Variable

    Mulish

  102. The sans cut of Noto, Google's project to cover every writing system, with a huge Latin-Greek-Cyrillic core.

    Google

    Licence: OFL-1.1

    Variable

    Noto Sans

    Repository

  103. The serif cut of Noto's Latin-Greek-Cyrillic core, designed to sit next to Noto Sans.

    Google

    Licence: OFL-1.1

    Variable

    Noto Serif

    Repository

  104. A rounded sans well suited to friendly UI, expanded from Vernon Adams's Nunito by Jacques Le Bailly.

    Jacques Le Bailly

    Licence: OFL-1.1

    Variable

    Nunito Sans

  105. A Buenos Aires foundry whose retail library includes many OFL releases also hosted on Google Fonts (Archivo, Saira, Ballet).

    Omnibus Type

    Omnibus Type

    Repository

  106. A simple geometric sans with a wide weight range, released through Google Fonts.

    Dmitri Voloshin, Andrey Kudryavtsev

    Licence: OFL-1.1

    Variable

    Onest

  107. A public host for open-licence fonts, predating many of the larger libraries. Check the licence on each file.

    Open Font Library

    Open Font Library

  108. A widely used humanist sans by Steve Matteson, released under the Apache licence rather than the OFL.

    Steve Matteson

    Licence: OFL-1.1

    Variable

    Open Sans

  109. A Brussels workshop that makes and publishes open typographic tools and typefaces, with licences on each project.

    Open Source Publishing

    Open Source Publishing

  110. A tall, narrow display sans by Tyler Finck, for posters and wordmarks rather than paragraphs.

    The League of Moveable Type

    Licence: OFL-1.1

    Ostrich Sans

    Repository

  111. A reworking of the classic Gothic style of Alternate Gothic, widely used for headlines.

    Vernon Adams

    Licence: OFL-1.1

    Variable

    Oswald

  112. A geometric sans with a friendly stance, built as a variable family for titles and UI.

    OmarType / Rodrigo Fuenzalida

    Licence: OFL-1.1

    Variable

    Outfit

  113. A very condensed, slightly brutal display sans from Velvetyne, for posters and tight headlines.

    Velvetyne

    Licence: OFL-1.1

    Outward

  114. A news and editorial serif with an optical-size axis, designed by Juan Pablo del Peral at Huerta.

    Huerta Tipográfica

    Licence: OFL-1.1

    Variable

    Piazzolla

  115. A high-contrast transitional display serif, in the lineage of the later Baskervilles and Scotts.

    Claus Eggers Sørensen

    Licence: OFL-1.1

    Variable

    Playfair Display

  116. A contemporary Indonesian Grotesque with open counters and a generous weight axis.

    Tokotype

    Licence: OFL-1.1

    Variable

    Plus Jakarta Sans

    Repository

  117. A compact roman by Barry Schwartz, useful when a page needs a slightly narrow, bookish serif.

    The League of Moveable Type

    Licence: OFL-1.1

    Prociono

    Repository

  118. Part of the public-type project for the Russian language, a readable humanist sans with a serif companion.

    ParaType

    Licence: OFL-1.1

    PT Sans

    Repository

  119. The serif companion to PT Sans, a transitional text face released for public use by ParaType.

    ParaType

    Licence: OFL-1.1

    PT Serif

  120. The U.S. Web Design System's open sans, forked from Libre Franklin and maintained in the open under the OFL.

    U.S. Web Design System

    Public Sans (USWDS)

    Repository

  121. The open typeface of CBC/Radio-Canada, a humanist sans with a narrow companion for tight columns.

    CBC/Radio-Canada

    Licence: OFL-1.1

    Variable

    Radio Canada

    Repository

  122. The display cut of Red Hat's family, with a bit more contrast, for titles next to Red Hat Text.

    Red Hat

    Licence: OFL-1.1

    Variable

    Red Hat Display

  123. The monospaced cut of Red Hat's open family, designed to match Red Hat Text in code and samples.

    Red Hat

    Licence: OFL-1.1

    Variable

    Red Hat Mono

  124. The text cut of Red Hat's open family, slightly more compact than the Display file, for body and UI.

    Red Hat

    Licence: OFL-1.1

    Variable

    Red Hat Text

  125. Red Hat's open family: Display, Text and Mono, published under the OFL on GitHub.

    Red Hat

    Red Hat typography

  126. The variable, many-axis successor to Roboto, with grade, width and optical size on top of weight.

    Google

    Licence: OFL-1.1

    Variable

    Roboto Flex

  127. The slab companion to Roboto, a straightforward Egyptian useful in headings and short text.

    Google

    Licence: Apache-2.0

    Variable

    Roboto Slab

  128. A semi-condensed to extended family from Omnibus Type, useful when a layout needs a range of widths.

    Omnibus Type

    Licence: OFL-1.1

    Variable

    Saira

    Repository

  129. Schibsted's open news sans, a sturdy Grotesque drawn for headlines and digital news typography.

    Schibsted

    Licence: OFL-1.1

    Variable

    Schibsted Grotesk

  130. A typographic take on Shantell Martin's handwriting, variable, by Arrow Type, for notes and friendly UI.

    Arrow Type

    Licence: OFL-1.1

    Variable

    Shantell Sans

    Repository

  131. The organisation behind the OFL itself, and behind Gentium, Charis, Andika and many literacy and script fonts.

    SIL International

    SIL International

  132. Adobe's open monospaced family, designed to sit with Source Sans, with a wide weight range.

    Adobe

    Licence: OFL-1.1

    Variable

    Source Code Pro

  133. A serif commissioned by Google for long articles, with a real italic and a set of text weights.

    Production Type

    Licence: OFL-1.1

    Spectral

    Repository

  134. The monospaced companion to Spline Sans, a friendly technical mono from Sorkin Type.

    Sorkin Type

    Licence: OFL-1.1

    Variable

    Spline Sans Mono

  135. A heavy, slightly awkward grotesque from Velvetyne, based on a 20th-century sports-programme letter.

    Velvetyne

    Licence: OFL-1.1

    Sporting Grotesque

    Repository

  136. A scientific publishing project that maintains STIX Two, a Times-descended family with a very large symbol set, OFL.

    STI Pub

    STIX Fonts

    Repository

  137. A display sans with five weights, slightly off-geometric, released by Bonjour Monde.

    Bonjour Monde

    Licence: OFL-1.1

    Variable

    Syne

  138. A Palatino-inspired open text serif from the Polish TeX group GUST, with a matching maths set.

    GUST e-foundry

    Licence: GUST Font License

    TeX Gyre Pagella

  139. Canonical's Ubuntu typography, released under the Ubuntu Font Licence, including the current Sans and Mono files.

    Canonical

    Ubuntu Font Family

  140. The current Ubuntu interface sans, released under the Ubuntu Font Licence, with a matching mono.

    Canonical

    Licence: UFL-1.0

    Variable

    Ubuntu Sans

    Repository

  141. The monospaced member of the current Ubuntu family, under the Ubuntu Font Licence.

    Canonical

    Licence: UFL-1.0

    Variable

    Ubuntu Sans Mono

    Repository

  142. A squarish display sans commissioned for the Unbounded ecosystem, with deep cuts in the heavier weights.

    Licence: OFL-1.1

    Variable

    Unbounded

  143. The studio of Spencer Charles and Flavia Zimbardi. Fraunces is their best-known OFL release.

    Undercase Type

    Undercase Type

    Repository

  144. A long-running directory of open-licence typefaces, useful when you want a typographic recommendation rather than a full library.

    Use & Modify

    Use & Modify

  145. Vercel's open Geist family, a sans and a mono released under the OFL.

    Vercel

    Vercel (Geist)

    Repository

  146. A wide, squarish display face inspired by early digital and video-game lettering, from Velvetyne.

    Velvetyne

    Licence: OFL-1.1

    VG5000

    Repository

  147. A coding font with an unusual italic and optional ligatures, drawn by Rune Bjørnerås.

    Rune Bjørnerås

    Licence: OFL-1.1

    Variable

    Victor Mono

    Repository

  148. A Grotesque based on early Grotesques, optimised for screen, with a wide weight range.

    Wei Huang

    Licence: OFL-1.1

    Variable

    Work Sans

  149. A compact old-style with a slightly dark colour, drawn by NoirBlancRouge for editorial use.

    NoirBlancRouge

    Licence: OFL-1.1

    Young Serif

  150. Mozilla's open slab, designed by Typotheque, with a slightly sharp Egyptian structure.

    Mozilla / Typotheque

    Licence: OFL-1.1

    Zilla Slab

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An occasional note when a family is added.